Photography – Page 5 – My Second Running Life

The Van Gogh to Van Gogh Photo Run

My photo run was bookended by two very different pieces of public art in Calgary. The pieces have a couple of things in common. Both are large, impressive sculptural works. And both have Vincent Van Gogh as their subject.

What a coincidence! I decided to do some research after I got home. But first, it was time to explore on foot. Here’s my route from Strava:

And here’s what I found out about the artworks and the artists.

Van Gogh Observes, by Joe Fafard

I parked on 4th Street SW in Mission, near Masters Gallery, for the start of my easy run. I always like checking out what’s on display in their windows. Whatever else I happen to see, I can stop to admire the large piece installed just outside the gallery.

That piece, Van Gogh Observes (VGO), is a major sculpture by the late Joe Fafard. I wrote about Fafard last fall, when I photographed Do Re Mi Fa Sol La Si Do, his sculpture comprising eight stampeding horses. That piece is installed in Harley Hotchkiss Park in downtown Calgary.

Fafard’s piece is big and colourful. It’s fantastic. Van Gogh silently watches everything going on outside the gallery… hence the title. And from his vantage point, he’s seen a lot since the piece was unveiled in 2019. Van Gogh Observes was one of Fafard’s last major works… he died in March of the same year.

Although it wasn’t taken during my recent run, here’s one of my favourite pictures at that location. This couple seems to be deep in conversation with Vincent.

Fafard was famous for his sculptural works, which often have a highly animated look. He sculpted livestock, people and other subjects, in bronze or laser-cut steel. His work is always visually appealing. This is certainly true of VGO. I think Fafard’s use of bold yellow and blue was a nod to Van Gogh’s frequent use of the same colours. It’s a piece that brightens up bleak winter days in Calgary.

Even from the back, it’s an amazing piece to look at.

Van Gogh Observes (Joe Fafard), from the rear

Van Gogh Monumental, by Bruno Catalano

I made my way to the UPTEN building at 10 Avenue and 1 Street SE to see Bruno Catalano’s 2020 painted bronze statue, Van Gogh Monumental. The four-metre-tall statue on the southeast corner of the intersection presents the artist walking purposefully while holding a well-used suitcase and carrying a painting on his back. He walks in the direction of the downtown core.

The statue is part of Catalano’s Les Voyageurs series, all of which depict characters in motion. Many of Catalano’s sculptures, including this one, have a large diagonal gap, really a gash, at mid-torso. The sculptures seem to defy physics… they shouldn’t be standing, but they do. Catalano’s bio tells us he discovered this technique when he had a casting accident with an earlier piece. He liked the result, and he incorporated it into many of his subsequent works. It’s become his trademark.

Catalano’s sculpture invites speculation about its meaning. What is Van Gogh searching for? Where is he headed? Maybe there are clues in Catalano’s own story. He was born in Morocco. His French-Italian family moved to Marseille when he was ten. Catalano has Jewish ancestors, who were expelled from Spain in the 15th century, and eventually settled in North Africa. The theme of travelling, of searching nomadically, seems to fit naturally into his art.

I find it interesting that Catalano chose Van Gogh for this sculpture, because most of his subjects are anonymous people. Here, he has chosen one of the world’s most famous and troubled artists. We shouldn’t be surprised to see Van Gogh searching for something while carrying his worldly possessions and his art. The gap in the statue is visually startling, but it also reinforces the idea that the subject has lost something quite fundamental.

Conclusion

As I jogged back to my car, I pondered the two art pieces I had just seen. I like both the Fafard and the Catalano pieces, even though they give us very different takes on an artist we all have some familiarity with.

The Fafard piece is approachable. Its animated look and bright colours give us an optimistic Van Gogh. Like the couple pictured above, we feel we could have a conversation with the man in the statue. That might explain why the statue is a huge attraction. I often see pedestrians stopping to admire it (or have a chat.)

On the other hand, the Catalano piece is more aligned with how we usually think of Van Gogh. It is a darker piece. The burdens Van Gogh is carrying and the cut across his body seem to portend his death by suicide. These are effective techniques to tell us something about the subject, but also about the artist. If Catalano relates to Van Gogh’s trials, he has done a great job of telling us.

I am most moved by the Catalano piece. What about you? Whichever piece you prefer, we are fortunate to have these important artworks in the city. It’s even better that they are just an easy jog apart.

The LPGA Comes to Town

Just when I needed a reminder that things are rarely as bad (or as good) as they seem, I took up my duties as a volunteer at the CPKC Women’s Open. The tournament is our national championship for the stars of the Ladies Professional Golf Association (LPGA). For 2024, the Open was being held at Earl Grey Golf Club in Calgary, which happens to be my home course.

I signed up for the gig months ago. That was before the downturn in my mother’s health, and her passing in early July. I almost forgot about the tournament; it seemed so far off. Then, suddenly, tournament week arrived.

After a quick orientation to the role of course marshal, we were thrown into the deep end, with practice rounds on Monday and Tuesday, and a pro-am on Wednesday. The four tournament rounds would run from Thursday to Sunday.

I’ve watched enough golf to have a good idea of my job description. Even so, seeing marshals on television is quite different from being a few feet away from the top golfers as they tee off or line up their putts.

Where Golf and Hockey Meet

One feature of this tournament promised to make it special. I was assigned to the “rink hole”, a recent but very popular addition to open championships in Canada. It’s now customary to convert a par 3 hole into a hockey rink, with boards around the tee box and a Zamboni parked beside the fairway.

For me and the other marshals, the transformation into a rink was complete when we received our referee shirts. I secretly hoped we were not going to be called upon to break up any fights in the stands. This was golf, after all.

Getting ready for action in Round 4 at the Rink Hole (July 28, 2024)

Thanks to Wes Gilbertson of the Calgary Herald for featuring us in a story!

Our challenging par 3 9th hole was designated as the rink hole. For the tournament layout, it would be the 17th hole. That meant there was the potential for drama on our hole in the final round. It certainly delivered!

On to the Action

My first shift on Tuesday was a chance to meet my fellow refs… er, marshals… and practice our routines before the tournament started. I enjoyed the day, and I marveled at the skills of the top-tier golfers. It was amazing to see my course changed into a world-class sports venue. And that was before any fans were on site. I already felt better than I had in weeks.

When I returned for my weekend shifts, the energy was palpable. Now every shot mattered. The golfers had their game faces on. Television cameras broadcast the action live around the world. The crowds grew by the day.

Record crowds turned out for the CPKC Women’s Open final round (July 28, 2024)

Amidst the tension, I noticed a few things. Calgarians were doing what they do best… welcoming visitors to our beautiful city. Tournament volunteers were full of pride for what was shaping up to be an exciting (and record-breaking) event. And Earl Grey GC members were beaming, knowing that the world was discovering our gem of a course on the north shore of the Glenmore Reservoir.

This being Calgary, the weather had to play a role. From a heatwave just a few days earlier, things had changed totally. Wind, smoke and cool temperatures greeted the players on opening day. Visitors must have wondered how such a change was possible in just 24 hours. We locals have a word for that: summer.

By the end of the third round on Saturday, we had seen history, as tour rookie Mao Saigo of Japan tore up our course with 9 birdies and an eagle, for a stellar 61. It was the lowest score ever recorded in a Canadian women’s open.

Sunday brought more drama. Several players vied for the lead in the final nine. As marshals, we focused on our assignments, even as Lexi Thompson, Lydia Ko, Minjee Lee and other top players came through the gate into the rink. Brooke Henderson led a strong contingent of Canadians, including her fellow Paris Olympic golfer (and Hamiltonian), Alena Sharp. What a thrill!

The drama reached a peak as the last few groups finished their final round. Saigo watched in disbelief as she stubbed her chip on 17, leading to a bogey. The third-round leader, Haeran Ryu, found the greenside bunker and also struggled to a 4.

That left only Lauren Coughlin. The American veteran bravely hit a six-iron to the tough back left pin location, leaving a delicate eight-foot birdie putt. By chance, I was stationed at the back of the green, so I was only a few steps from Coughlin and her caddie as they lined up the shot. I had the best spot in the house to see her roll it in, guaranteeing herself a two-shot win with a 13-under score of 275. It was her first tour victory.

It was an exhilarating weekend, and an experience not likely to be repeated.

On the rink hole, there was plenty of good-natured cheering and banging on the boards. Fans showed their deep patriotic pride and love for our Canadian stars, especially Henderson. This is Canada, so everyone was polite. Thankfully, we didn’t even need to put anyone in the penalty box!

I walked back to my car on a perfect Sunday evening, exhausted but satisfied.

Maybe there is still hope for 2024.

Prairie Mountain – Summer Solstice

The arrival of summer in the northern hemisphere is welcome for many reasons. There is a minor downside, if one plans to make a sunrise trek to the peak of Prairie Mountain in Kananaskis: the early start. Of course, my friend Tim hatched the idea, as the perfect complement to our winter solstice hike last December. If you haven’t read my blog pieces for that epic outing, here are links to Part One (the hike) and Part Two (the science).

My first reaction was “I’m in!” Then, when the reality of the required 2:50 a.m. departure from Calgary set in, I found several excuses to bail out. To Tim’s credit, he persevered and he managed to wrangle a couple of friends to join him. He didn’t even mind sharing his photos, so I could pretend to have been there!

The Hike

Tim, Jerry and Peter departed the Prairie Mountain trailhead at 3:50 a.m. and reached the summit in time for the 5:21 a.m. sunrise. Tim commented that it was amazing to see the full moon go down in the west while the sun was coming up in the east. He mentioned that while he knew the sun would break the horizon much further north than it did on the winter solstice, it was even more of a difference than he expected. More on that later.

With thanks to Tim, here are a few photos from their hike:

Prairie Mountain Sunrise / June 20, 2024 (Photo: Tim A)

Tim, Peter and Jerry at the summit / June 20, 2024 (Photo: Tim A)

Western vista, from the Summit / June 20, 2024 (Photo: Tim A)

The Science (abbreviated)

For the winter solstice, you may recall I did some research on the unexpected timing of the solstice, and why the day with the latest sunrise wasn’t the same as what we think of as the shortest day of the year. If you are interested in orbital eccentricity, angles of obliquity, solar days, and other astronomical wonders, you can read about them here.

Since it’s summer, and I’m feeling a bit lazy, I did a shortened version of the research. You’ll be happy to know that I confirmed the same factors affect the timing of the summer solstice. Here’s what I found:

The summer solstice occurred at 2:50 p.m. on June 20
The earliest sunrise was at 5:20 a.m. on June 16
The longest solar day was 16:33:17 (hh:mm:ss) on June 20

Tim’s comment about the sun’s compass direction at sunrise on June 20 compared to the direction on December 29 got me thinking. I marked up a trail map for the area of Prairie Mountain. The arrows show the sun’s compass direction at sunrise and sunset, on the summer (blue) and winter (red) solstices, respectively. What’s interesting is just how much the sun’s coverage changes between the two solstices.

Sunrise/sunset compass directions at the solstices, Prairie Mountain

The apparent travel of the sun (because it’s the earth that’s moving around the sun, after all) is from 128 degrees (roughly southeast) at sunrise to 233 degrees (roughly SW) at sunset on the winter solstice. That’s a span of 105 degrees. In contrast, the sun traverses a range from 49 degrees (roughly NE) to 311 degrees (nearly NW) at the summer solstice—a span of 262 degrees.

Isn’t that fascinating? I think so too.

Until next time, thanks for reading!

Colour or Monochrome?

While flipping through some recent pictures, I realized I was “seeing” them in either black & white or colour. This was before I had started doing any editing. My mind seemed to be jumping to conclusions about the end result.

Maybe this was inevitable, as I must have “seen” some version of the final image before I pushed the shutter button. Was my initial visualization strong enough to override any subsequent artistic choices?

I try not to limit myself to one expression or another, and I take plenty of photos in each style. My preference is for black & white images. Many of the photographers who have made an impression on me worked mainly in monochrome. Adams. Cartier-Bresson. Schaller.

That would be a good idea for a future piece… the photographers or the images that have been most impactful for me. But for this piece, I wanted to explore the idea of initial visualization and see if that process might be acting as a barrier to my artistic ideas. I picked several recent images, more or less at random, for the following, non-scientific analysis.

Sedona Landscape

The first image was a landscape, highlighted by the setting sun and building clouds over the peaks in Sedona, Arizona. There’s no doubt I imagined this image in bold monochrome. I shot it using my favourite JPG setting in the Ricoh GR III: hard monochrome. The in-camera JPG looked promising, on the tiny 3″ viewfinder screen. I couldn’t wait to see the image in Lightroom.

I hadn’t even considered the option of a colour version of this image, but maybe I had been too hasty. I reimported the image and forced myself to ignore the monochrome button. This is a comparison of the two versions:

To my surprise, I found the colours in the foreground… the famous red rocks of Sedona… to be a distraction. This wasn’t the result I expected. The dramatic clouds, which I was able to set against the sky with a red filter effect, were hardly noticeable. Instead, they were competing for attention. I had to go with my first instinct. This photograph is better in monochrome.

Cold, Icy Calgary

My second image was totally different from the picturesque scene in Sedona. We had returned to a late blast of winter in Calgary. It must have been some blast, based on the icicles that were hanging from every rooftop. A photo opportunity!

As with the landscape, I saw this roof and its crop of icicles in black & white. Texture and lines, contrasty clouds (where’s that red filter?) The thick icicles were a cool feature… no pun intended.

My monochrome image needed only a few edits: an increase in contrast and darkening of the sky. I also bumped up the exposure a little, to ensure the picture wasn’t a complete wash of drab grey. And I added a bit of texture to the peeling paint. This was just about exactly what I visualized when I took the shot.

But had I been too hasty? I had to find out. So I re-imported the RAW image and edited the colour version. I hadn’t even noticed the blue paint on the trim. And I missed the discolouration in the icicles from whatever had been oozing out of the eavestroughs. Time for some repairs.

What do you think?

Personally, I don’t like it at all. My mind’s eye was right to see this image in tones of grey. The colours are irrelevant to the story that this picture is telling. I wanted to put the viewer into a scene that was edgy, cold and stark. Instead, the pale blue trim on the house tempers the scene, while the brownish stuff coming out of the eaves is a distraction.

Springtime in Hamilton

My final image is from a recent visit to Hamilton. Walking around my old neighbourhood in April was a riot for the senses. Spring was in full bloom. I snapped a picture at the corner of (obviously) Maple Avenue and Province Street. I initially saw this as a colour picture, with a sunlit magnolia tree as the highlight.

Maple and Province, Springtime (April 2024)

Even though I like the colour image, I decided to try a monochrome version. This one is more of a toss-up. I like both versions. Why? The colour version puts the viewer right in the scene. Spring has clearly sprung. On the other hand, the monochrome version shows us every detail but leaves us to imagine what colour everything is in the scene.

Of course, these are just my thoughts. Let me ask you: monochrome or colour? Leave me a reply in the comments.

Until next time, thanks for reading

Arizona Dreaming – Part 2

Sedona, Red Rock Country

Straight from our successful morning at the XTerra Black Canyon trail run, our convoy headed north to beautiful Sedona for a week at the Seven Canyons resort. Our theme for the week was “Elevate Performance”, and our hosts, Bill and Janice, were exceptionally generous, opening their home and directing all manner of activities.

We explored the extensive trail system around Sedona, which brought us awesome views of the stunning “red rocks” for which the city is famous. Sedona was much busier than what we remembered from our last visit, so we made sure to get an early start for our trail runs.

Did you know that the unique red colour of Sedona’s geological formations comes from iron oxide? The rocks are primarily sandstone and limestone. Because these are relatively soft rocks, they are susceptible to physical and chemical erosion. Wind and water (think flash flooding) have played a significant role in shaping the landscape over millions of years. And the result is spectacular… it’s unlike any other place I’ve been.

Our first group run was on the Little Horse-Bell Rock trail. We could have legitimately said we were still recovering from the race a couple of days earlier. That may have been partly true for Deb, but I was definitely okay with an easy start as I was still feeling the effects of my fall (and knowing that we had a busy week ahead of us.) This trail was perfect, even for those in our group who were a bit more ambitious. We did an out-and-back route that brought us all to the trailhead at the same time, so it all worked out. And what views!

“Elevate Performance” – Adrenaline Rush hits the trails at Little Horse

A highlight of the week was a trail run starting from the Dry Creek trailhead. We went out on the Long Canyon trail and returned via the Mescal-Yucca loop. We knew this route from prior runs, and we stopped along the way to enjoy the breathtaking… in both senses of the word… views.

We added a second trail race to our calendar, given that the Sedona Stumble was conveniently scheduled for Saturday March 23, at the Posse Grounds Park in town. The 5k and 10k distances were full of challenges, including sections on a narrow single-track circuit and a mountain bike slalom course. Wow!

The race was very well organized by Run Sedona. Adrenaline Rush runners tackled both distances. Once around this technical loop was enough for Deb and me. We enjoyed the post-race snacks and festivities, especially the delicious donuts provided by Sedonuts. It was no surprise that Adrenaline Rush runners again made an impact on the podium. Congrats to Allison (1st in F50-59) and Al (1st in M60-69) in the 10k, to Doreen (1st in F60-69), Janice (2nd in F60-69) and Carolyn (1st in F50-59) in the 5k, and to the rest of our group on your strong results!

In addition to trail running, there was a lot of golf action on the beautiful Seven Canyons course throughout the week. Deb and I enjoyed a few casual games, although the glaring truth, for me at least, is that my game needs serious attention. A summer project, perhaps?

It was all smiles after the (cool and breezy) Adrenaline Rush golf game

Of course, I carried my Ricoh GR III with me on our runs and was rewarded with some good shots. From our vantage point on Rachel’s Knoll, I also got some amazing landscapes. The weather was cool and breezy, which meant some very interesting evening cloud formations. And the sunsets were outstanding.

All told it was a magical week in paradise.

Thanks for reading,

Elbow River Photo Walk

Ever had a day when you lacked the drive for running? When a little voice was telling you you’d be better off just doing a walk?

Today was one of those days for me.

It was a week I’d been dreading. I’ve been stressing for weeks about a problem tooth… a molar that had become something of a mystery. I’d been bounced back and forth between two specialists, but eventually, it became clear that the end was looming for tooth number 3-6.

I went through the week with a feeling of dread. But now it’s over and the tooth is gone. We can turn our attention to the next stage of the process, inserting an implant and crown. While I wouldn’t say I’m looking forward to that part, I am curious about how it all works and how the tooth will look in the end. Maybe I’m naive.

So, this morning, even though I was feeling much better, I decided that the tooth episode was a convenient excuse to pass on our usual Sunday long run. It was a pleasant morning, a little cool and breezy, but better than the weather being forecast for the week ahead. The prospect of some good shots along the Elbow River was enough motivation for me to grab the Leica M10 and head out for a photo ~~run~~… sorry, walk.

I walked along the bluff in Ramsay. The views of downtown are spectacular from Scotsman’s Hill. The light looked promising when I left the house… cloudy but clearing. By the time I got going, the sun had just about burned off the cloud cover. Maybe I was too late. Regardless, it was a brilliant morning and I was feeling fine.

I made my way down towards Fort Calgary, knowing that the old train bridge in Inglewood is often worth a look. This morning, a train was conveniently passing through, heading east, just as I arrived. I snapped a few pictures, drawn by the curving line of identical cars in the sunlight.

Later, in Lightroom Classic, I tried one of the many presets that come with the software. Usually, I avoid these, preferring instead to make all my own editing decisions. But why not try something new? Given the oranges and browns in the scene, an “Autumn” preset seemed appropriate. What do you think?

Inglewood Rail Bridge, Lightroom preset TM07 (February 25, 2024)

I wandered on through Stampede Park. The new BMO Centre has been under construction for a couple of years. The building is an amazing piece of architecture… especially the graceful curved lines on the eastern facade. I’ve gone by there many times, but it’s not been an easy building to photograph, what with all the construction equipment in front.

Today, I saw a nice scene as I walked along the pathway by the Saddledome. Later, in Lightroom, I stuck close to the subject matter and tried an “Architectural” preset. I have to say, I liked the result.

Stampede Events Centre, Lightroom present UA10 (February 25, 2024)

I continued along the river pathway, past the unimaginatively-named Stampede Ground Bridge at the south end of Stampede Park. It’s an attractive bridge, and I’ve shot it many times. While I was tempted to linger there this morning, the sky wasn’t doing me any favours. I moved on.

I finished my walk by climbing the stairs back up to Salisbury Avenue. As I approached the car, I realized that much of my walk had been solitary. I’d hardly seen anyone on the path. At the top of the stairs, I was rewarded with one “street shot”… a lady out on her bottle-picking rounds. Let’s say she was a little suspicious of me. But never mind, it was a nice finish for my outing. For this shot, it had to be a “Portrait” preset.

Scotsman’s Hill, Lightroom preset “Gritty Portrait” (February 25, 2024)

Overall, it was a productive morning. I didn’t miss running, not even a little. But I’ll be back at it next Sunday, I promise!