I don’t have hard rules for the topics on this blog, and there are times when I feel I need to write about something of importance to me. Or someone. This is one of those times.
Gerard Rejskind passed away a year ago to the day that I’m writing these words. I suspected something may have happened to him. As I’ve done occasionally if I’m unsure about someone’s personal situation, I reluctantly typed his name and “obituary” into Google. I was right… he died peacefully in Montreal in December 2023 after a short illness.
So who was Gerard?
It would not be true to say he was a friend. But as I wrote in a similar tribute piece almost two years ago, it is possible in our highly connected world to feel close to someone even if you’ve only spoken to them a few times on the phone. Through his writing, I came to know Gerard and understand him quite well.
Gerard wrote with passion, and he was the driving force behind an independent audio publication (UHF Magazine) that had a small but dedicated following. Through his reviews of audio equipment and recorded music, Gerard influenced many people, including me.
Let me first make a connection, between a subject that I do post about on this site… photography… and music. It isn’t a stretch to say that both these art forms have much in common. They are subjective; that is, they are things that cannot be quantified. If done well, they evoke an emotional response in us. And at their best, they are timeless.
When I found out that Gerard had passed away, I thought about the many ways he had influenced me over more than twenty years. Initially, I had been looking to upgrade my entry-level Sony CD player, a tinny-sounding thing. A colleague lent me a few back issues of UHF, and I was immediately hooked.
UHF (now defunct) was a publication unlike anything else I’d seen. With a modest budget and a small crew, Gerard managed to produce a magazine that bettered any of the big, commercial publications. It did so with a rare offering: totally honest reviews. There were none of the filtered, biased reviews that I read elsewhere. My favourite feature was a short, subjective paragraph from each of the review panelists about a particular piece of gear. This was invaluable for someone like me, who was new to the hobby.
Besides the magazine, Gerard also wrote a couple of books about “hi-fi”. Again, in plain language, he explained what the equipment did (or should do) and how it ought to be designed. This hit a chord with my engineering sensibilities. I found myself coming back to these books time and time again.
My wife will attest that I dropped everything when the latest print issue of UHF showed up in the mail. Because of their shoestring operation, the frequency of publication was, shall I say, variable. Gerard kept UHF going through COVID and his own health challenges. Those things only increased the appeal of the enterprise. I read every word of every issue, and I would save Gerard’s editorial page on the inside of the back cover until last. There, he would offer another nugget of audio wisdom, in his usual style… self-effacing, but with the authority he had earned over a lifetime of experience.
I’ve bought quite a lot of audio equipment and recorded music since I first encountered Gerard and UHF. In all that time, I wouldn’t think about buying anything unless I had checked to see if Gerard had reviewed the gear in question. If he liked it, that was good enough for me. If he really liked an item, he would become a distributor, which said a lot about his motivation. It was also quite convenient. I can honestly say he never steered me wrong.
Beyond all that, he made sure I and his other readers became more self-sufficient, by writing frequent articles and opinion pieces that educated us. In fact, the last edition of UHF, the 101st, consists of a series of introductory “101” pieces (in the usual nomenclature of first-year university courses) on various audio gear. It seems a fitting legacy to Gerard. The final paragraph of his last “State of the Art” piece is worth repeating here:
“The final rule is to do what we do: take notes, with details on
what you liked and what you didn’t. Concentrate on the music,
which is the purpose of the system in the first place.”
Gerard was a rare person: an honest businessman; a knowledgeable and generous resource; and above all, a gentleman. He will be missed.
Now I think I will go and put on a record and re-read some of his pieces.


