Meet “The Flâneur”

Introduction

I’ve been writing this blog for nearly three years. Over that time, I’ve thought about whether the site is achieving what I intended when I wrote the first pieces. Indeed, it’s worth asking whether my initial objectives have changed—and if so, how.

My soul-searching is timely because my friend Phil Davies recently approached me with some thoughts on the blog and my other social media content. Phil has a keen eye and a strong artistic sensibility. He volunteered his opinion that my Instagram profile may not be totally accurate:

Phil questioned my use of the word observer. At first, I wasn’t sure what he meant, because he had always been complimentary about my photo runs. For those unfamiliar, photo runs are a cornerstone of My Second Running Life—they make this blog what it is. As an example, here’s a piece I wrote about my run in Longview a few weeks ago.

For me, there’s nothing better than going out for an easy run with no worries about time and pace, seeking only a memorable photograph. I look for different things—colour, pattern, contrast, human interaction, irony—and observer was the word I settled on to describe what I do on these runs.

Phil went on to explain that there might be more to this process than observation. He even jotted down some thoughts, which I present here as my first guest submission on the blog. The photographs are mine, but Phil selected the pictures he wanted to accompany his writing.


In nineteenth-century Paris, the flâneur was a stroller who transformed the act of walking into an art form; moving leisurely through the city, observing its ebb and flow with an artist’s eye and a philosopher’s curiosity. Armed with nothing more than time and attention, he understood the city itself to be a living canvas, constantly repainting itself.

Steve’s approach to running and photography is a modern embodiment of this classic figure—using movement through the city as a form of creative engagement rather than mere exercise or transit. His curiosity and his keen eye allow him to see the extraordinary within the ordinary.

The flâneur’s genius lies not in destination but in observation—he reads the city like a complex novel, deciphering the social codes written in architecture, fashion, and gesture. In the Parisian context, this meant lingering in the arcades, studying the interplay of commerce and desire, watching how different classes of people navigated the same spaces with entirely different purposes. The flâneur sees what others miss because he moves at human speed rather than the hurried pace of those bent on efficiency. 

Transported to Calgary among the gleaming downtown towers and the sprawling neighbourhoods stretching toward the Rockies, the flâneur’s eye discovers different rhythms and revelations. He might capture the interplay between the city’s frontier heritage and its contemporary energy—perhaps pausing to photograph how the morning light catches the glass of a modern office building while casting shadows on a historic sandstone church. My friend Steve embodies this Parisian tradition, combining the flâneur’s contemplative wandering with the practical purpose of his runs. His camera serves the same function as the flâneur’s notebook—a tool for capturing the moments that define urban life; transforming the ordinary act of moving through space into a form of creative observation.  In calling Steve a flâneur, I celebrate something valuable but increasingly rare in our hurried world—the importance of moving through our environment with alertness, engagement and appreciation.

– Phil Davies, December 2025


These boots were made for walkin’…! (Calgary, December 2022)

Concluding thoughts

Until my discussion with Phil, I would have said that I wasn’t doing anything different from any other street photographer, except that I’m moving faster than most of them. When I’m cruising the streets, I do so with thoughts of my photography idols in mind; people like Fred Herzog, Elliott Erwitt, and Saul Leiter. I wish I could be one-tenth the photographer that they were.

I also move through the streets with a clear purpose. I welcome the creative tension that comes with choosing a location and then watching for promising scenes to develop in front of me as I’m running. Many times and for many reasons, I’ve missed a shot that I wish I’d captured. But that’s alright, because sometimes I come home with a treasure. I can’t ever be too hard on myself about this, given the parameters I’ve set for myself.

In the end, it may not matter what label I use—flâneur, observer, or something else. Phil, you’ve helped me see that this process of roving exploration is well worth the effort.

An Ansel Adams Inspired Photo Run

Knowing that Weaselhead Park would be in its full autumn splendour this week, I decided to do a short photo run starting in North Glenmore Park.

Here’s the Strava record of my out-and-back route through the Weaselhead Flats. It’s a beautiful place to run at any time, but especially at this time of year.

I recently had an idea for a new series, highlighting my favourite photographers. As I trudged up the hill at the far corner of Weaselhead, where the path heads into a pleasant birch forest, I realized I had my first subject: Ansel Adams. Adams is a good choice, given that he was the first photographer who came to my attention after I purchased a film camera as a teenager. I’ve admired his photographs for years. And when I saw the white trunks of the birch trees, two specific images popped into my head.

But first, let me introduce Adams.

Ansel Adams: Photography Legend

Ansel Adams (1902-1984) was an American photographer and environmentalist. As a young man, he showed talent as a pianist. However, he decided to pursue his early interest in photography, even though at the time that was hardly a sure career path.

Adams is best known for dramatic black and white landscape images, many of which were shot on large glass plate negatives. He also developed innovative and disciplined approaches to capturing and printing images. He formalized the use of the Zone System, which allows the photographer to realize what they saw in the scene, based on analysis of the tonal ranges in the image. 

Given the sheer number of Adams’ iconic images, it would be difficult to settle on my personal favourite. I’ve always admired his Clearing Winter Storm (1944) and Monolith, The Face of Half Dome (1927). His photograph of Denali—Mount McKinley and Wonder Lake (1944)—is brilliant. These images matter because they illustrate Adams’ deep commitment to preserving some of the great natural places in the U.S.

Even though they aren’t what he is best remembered for, Adams’ portraits are remarkable, too. His candid shot of Georgia O’Keeffe and Orville Cox (1937)—shot with a 35mm camera—may be my favourite of all his images. So, regardless of which image we look at, it’s easy to see why Adams is regarded as one of the greatest American photographers. 

Georgia O’Keeffe and Orville Cox (1937)

Aspens, Northern New Mexico (1958)

There’s a book by Adams that I’ve turned to dozens of times for inspiration. It’s called Examples: The Making of 40 Photographs. Adams takes the reader on journeys that culminate in the images in his book. He sets the scene, explains the equipment he used, and the process of creating the final print. It’s far more than a how-to manual. What I appreciate most about the book is Adams’ honesty. Many times, he admits to making errors in his camera settings or finds he’s created challenges for himself in achieving the result he wants. These are refreshing admissions by a person we may think of as being infallible. 

Two images in Examples are relevant to this piece. Aspens, Northern New Mexico (1958) is a pair of complementary photographs, one vertical and the other horizontal. Adams shot them with an 8″x10” camera using a yellow filter, which would have lightened its own colour (yellow) and darkened its opposite colour (blue). He typically printed the images in very large format, up to 30″x40″. Adams describes these as “quite satisfying statements”, “cool and aloof and rather stately”. I’ll say! He also writes that they are good expressions of his philosophical approach to photography, in that he was able to express what he saw and felt in the scene. 

And so, today in Weaselhead

At the risk of embarrassing myself—-we can agree that Adams is a tough act to follow—-let me turn to my own attempt to capture what I saw and felt on today’s Weaselhead photo run. It was a similar day to what Adams described for his Aspens: a crisp autumn day. The birch forest was in full fall colours. Even better, the sun was trying to make an appearance after a short rain shower. There was no wind. In other words, the prospects were good. As usual, I had my Ricoh GR III in hand—no 8″x10” cameras here. 

I could see what Adams had to deal with, given all the colours of autumn: reds, yellows, purples, greens. A colour photograph would certainly have impact, but my worry was that it would end up being an incoherent riot of colour. Because digital photography gives us some huge advantages over Ansel and his glass negatives, I’m able to let my readers decide for themselves.

I’ll start with a vertical shot. I did some masking in Lightroom to bring out the trees at the front of the image and give some separation against the busy background. Using Lightroom’s simulated filters, I boosted the yellow channel to brighten the leaves. As is often the case, I prefer the black and white version.

Weaselhead Birch Forest – Vertical (Sept 30, 2025) (Copyright: Steven Kelly)

Moving on, I looked for a scene that might work in horizontal format. My idea was to have some prominent leaves in the picture, as on the left side of Adams’ image. I found a grove with a dense grouping of trees and a splash of green on the left of the frame. I don’t think this was the perfect example, but you know, I was in the middle of my run. I snapped my shot and carried on. Later, I darkened the left edge and the foreground to accentuate the trees that were in sunlight. Again, I prefer the monochrome version, but I’d like to hear from any readers who have an opinion.

Weaselhead Birch Forest – Horizontal (Sept 30, 2025) (Copyright: Steven Kelly)

Wrapping Up

My photo run was short but productive. I headed to this spot because I hadn’t been there for a while, and I wanted to see the fall colours. Once I got to the birch forest on the south side of the reservoir, Ansel Adams’ iconic images popped into my head. It encouraged me to slow my pace and look around. And what I found was well worth the effort. I may even try to get back there with a film camera and tripod—and without my running shoes!

Until next time, be well and BE FAST!

Hello Vancouver!

CALL Health and Wellness Speaker Series

I’m thrilled to announce an upcoming event with the Calgary Association of Lifelong Learners. I’ll be doing a presentation of my memoir on September 22, 2025, at the Varsity Acres Presbyterian Church. See the details below.

The Calgary Association of Lifelong Learners (CALL) is a member-led, non-profit organization. Their mandate is to facilitate lifelong learning for residents of Calgary and area. Programs and activities are wide-ranging, focusing on arts and culture, society and politics, and health and science.

My presentation will be part of CALL’s Health and Wellness Speaker Series. I look forward to telling the story of my lifelong connection to the great sport of athletics and my recovery from a series of strokes in 2017. As my regular readers will know, I wrote about running, health, and recovery in Stroke of Luck: My Life in Amateur Athletics. The opportunity to meet with groups and clubs is by far the best part of this project. I’m gratified to be able to share my main messages:

  • The importance of an active lifestyle
  • Awareness of the full range of stroke symptoms
  • Raising funds to support the lifesaving work at the Foothills Stroke Unit

If you are interested in joining us on the 22nd, or if you’d like to find out more about CALL, please reach out to them here. I hope to see you then!

A Quick Visit to Vancouver

Our vacation planning this year has been somewhat ad hoc. That’s resulted in a series of short trips to some unexpected locations: Moose Jaw, San Diego, and Edmonton. But rather than being a problem, it’s been an opportunity. So much so that we are looking forward to doing more of the same in the months to come.

Last week, we decided to make an impromptu, short trip to Vancouver. There’s never a bad time to visit Vancouver, but our timing was especially good. We were in the city for two perfect days. While most of our trips to the city in the last few years have had us staying in Kitsilano or Yaletown—both fine locations—we opted for downtown this time. 

Deb suggested that we stay at the new Azur Hotel on W Pender Street. The Azur is one of the Leading Hotels of the World, and she was curious about it. We’ve enjoyed stays at several LHW hotels—the Azur is one of only a few in North America. It was a great decision. Everything about our stay was excellent. The hotel feels quaint, and it exudes style. The staff were amazing. They treated us like royalty. The amenities were excellent, and the included breakfast was delicious. 

We enjoyed walking through Gastown and along the waterfront at Canada Place. Of course, watching the Harbour Air seaplanes taking off and landing is always fun. We took the SeaBus across Burrard Inlet to North Vancouver and checked out the latest exhibits at the Polygon Gallery. We both thought the large-scale astronomical photographs by Thomas Ruff, a German photographer, part of the current Star Witnesses exhibit, were a highlight.

Food and drink? Well, you can’t go wrong with a coffee and doughnut from the 49th Parallel cafe on Thurlow, so we did that. And for dinner, we enjoyed a meal at the bar in the Blue Water Cafe in Yaletown. I had the Yellowfin Tuna, and Deb chose the Arctic Char. Both were delicious.

Some Vancouver Street Photography

Now, it wouldn’t be an outing worth talking about if there weren’t a few photos to share. With my trusty Ricoh GR III in hand, I caught the occasional street scene. Here are some examples:

When we’re in Vancouver, we always think about Fred Herzog. For those who aren’t familiar with him, Herzog was a Vancouver-based photographer, active in the 1950s and 1960s. He’s one of our favourite photographers, and a source of inspiration when I’m walking the streets of Vancouver. Herzog mainly shot with a Leica rangefinder using Kodachrome colour film, and his photographs reveal much about the character of the city during that era.

Although it isn’t fair to say Herzog was unknown during his lifetime, his work is really only getting the credit it deserves now. That’s due in large part to the efforts of the Equinox Gallery in Vancouver and the Trepanier Baer Gallery in Calgary. Here’s the cover of Fred Herzog: Modern Color. It’s a superb collection of Herzog’s photographs, published in 2017 by the Equinox Gallery. The image on the cover happens to be my favourite Herzog photograph.

This gives me an idea for a new blog series: My Favourite Photographers. I think Fred Herzog will have to be my first subject. Look for that soon! 

While writing about the GR III, I’ll mention that Ricoh has just announced the GR IV (and discontinued the GR III). I’m definitely interested, although it might be said that on first glance, the specs are only marginally better than my current one. That said, my camera is now four years old, and I’ve noticed that it seems to have accumulated a lot of dust on the sensor. This problem is a known issue for the GR III. I thought I had avoided the problem until I looked closer at my shots from Vancouver. I probably shouldn’t be surprised, given how I handle (mishandle?) this camera on my photo runs. C’est la vie!

On that note, I’ll sign off. Thanks for reading. Until next time, be well and BE FAST!

Edmonton Marathon Report

In what has already been a memorable year for racing, the 2025 edition of the Servus Edmonton Marathon may have delivered the most excitement. And I haven’t even been racing!

Deborah and I decided to make a quick weekend trip to Alberta’s capital city for a couple of reasons, the main one being a chance to see Dan race in the Half Marathon. For a short time, I entertained the idea of signing up for the 5k—that was until my dodgy Achilles decided the matter for me.

It was a thrilling weekend. We enjoyed soaking up the atmosphere around race headquarters at the Edmonton Convention Centre. It was also a busy weekend, with various festivals going on around the city, in addition to the race. We had forgotten how lush and green the Edmonton river valley is.

To the action

All the distances at this year’s 34th edition of the event were popular. Across all the races, more than 8,000 runners signed up. On a perfect day, sunny but not too warm, 1,200 runners started in the main event, the Servus Marathon. The Healthcare Solutions Half Marathon was the biggest event by far, with over 3,000 runners toeing the line for the 7:45 a.m. start. By the way, the HM served as the Canadian championship race, so the field was big and the elite field was very deep. The Army 10k took place later in the morning, with a field of 1,800 runners, and the Family 5k Fun Run rounded out the day.

Dan competed in the HM with the Canadian Armed Forces CISM Elite Running Team. For those unfamiliar with CISM, it’s the Conseil International du Sport Militaire, or the International Military Sports Council. Founded in 1948, CISM is one of the largest multidisciplinary organizations in the world. CISM organizes various sporting events for the armed forces of its 142 member countries.

Canada’s armed forces are active in many sports through CISM, and each year the athletics team is one of the largest. In Edmonton, 13 CISM runners competed in the HM and 10k, and they all turned in excellent performances.

My vantage point on Jasper Avenue was ideal for photographing the action on the fast out-and-back course. The bright sunshine created both opportunities and challenges behind the lens, but I did manage to capture quite a few worthy shots. The finish in the men’s race was as close as you can get, with Rory Linkletter nipping Cam Levins at the wire, in just under 63 minutes. Lauren McNeil of Great Britain took the women’s race in 1:11:25. My Adrenaline Rush Athletics teammate, Jen MacPherson, won the F55-59 age group, in a very speedy 1:38:35, as she builds to a fall marathon. Well done, Jen!

Here’s a sample of photos from the Half Marathon:

The men’s Marathon was won by Alberta running legend, Kip Kangogo. On the women’s side, Kristen Spady was the winner. The 10k didn’t disappoint, with lots of fast times and great competition. The winners were Courtney Hufsmith in the women’s race and Yahye Mohmaed Jama for the men. Another Adrenaline Rush athlete, Gord MacPherson, ran his goal time of 54:58 while balancing his training with his other summer passion, golf!

A few more snaps from the 10k and marathon:

The CISM Team rocks!

Having Daniel and his teammates involved added a whole new dimension to our spectating. Fortunately, there was also plenty to cheer about. Our task was made easier because we could pick out the distinctive red and white singlets from a long way off. Here’s a small sample from the many impressive performances recorded by CISM racers on Sunday.

Now, I can’t move on to my final subject before mentioning one story that came out of the Half Marathon. To set the scene, Daniel (@stridesandsummits) started strong for the first third of the race, but felt he had more to prove. As it happened, he met up and teamed up with Canadian marathon record holder, Natasha Wodak. For the rest of the race, they worked together to crush their respective goals: Natasha took home the Canadian Half Marathon title (1:11:40), and Dan notched a solid PB of 1:11:35. Way to go, Daniel and Natasha!

Natasha Wodak powers to the Canadian title!

Yes, there is a personal connection!

It seems I have a connection to a lot of races, and that includes the Edmonton Marathon. Deb and I moved to Edmonton in the dark, cold days of December 1984. By the summer of 1986, I was confident enough to sign up for what was then called the Northlands Klondike Marathon. I recall it being a short-lived effort to get a marathon going in the city.

This was my third attempt at the distance. My previous efforts had been less than successful, based on how dissatisfied I was with my performances. Things did turn out a little better for me on this warm July day. I finished 19th out of 139 finishers, running for the Edmonton Roadrunners—check out the vintage singlet. My time of 3:01:27 was tantalizingly close to the magical 3-hour barrier. Looking back, I figure the heavy New Balance 990s I wore must have cost me about 5 minutes—not exactly supershoes!

So there you have it. Another eventful day at the races. For those of you who ran, congratulations! For anyone thinking about it, the Edmonton races are now a solid fixture on the Alberta race calendar. See you there in 2026?

Until next time, be well, and BE FAST!

In Praise of Japanese SLR Cameras

This is a totally useless piece.

Useless, that is, if you carry a camera around with you at all times, one that is instantly available in your cell phone. Or if the link between your camera and your social media accounts is as short and quick as pressing a button. 

Some of us have a broader definition of a camera, or think of photographs for something more than their transient value.  

My collection from the heyday of Japanese single-lens reflex (SLR) film cameras is a small treasure. It’s unbelievable these cameras work so well after 40 or 50 years. They are flawless machines. Sure, there are foam seals I should replace. And some of the batteries are getting hard to find. But overall, they’re doing better than I am after all that time! 

Canon AT-1

The Canon AT-1 invokes many fond memories for me. I bought mine in 1978 with savings from my first job. My aunt Connie worked at the Sears store in the Centre Mall in Hamilton, and she made the purchase so I could benefit from her employee discount. I remember paying $265. It’s odd to think that Sears used to have a photography department… but I digress.  

When I bought the AT-1, I didn’t know anything about cameras or photography. I learned the basics of shooting film—metering exposure AND focusing in a completely manual camera. (The AT-1 was never as popular as the automatic variant, the AE-1, but I was on a budget.) Once you’re used to it, manual metering is simple. It’s a bit like target practice: move the exposure needle by changing aperture and/or shutter speed until it lines up with another needle indicating the measured light. Like learning to drive a car with a manual transmission, this is a good skill to have!

Manual focusing brought its own challenges, especially if you were keen on shooting sports, as I was. Sure, I missed plenty of shots, but I also felt the thrill of getting many more.  

The AT-1 feels solid, and its viewfinder is big and bright. Canon FD lenses mount to the camera with a secure metal ring. Because it was my first camera, I’m biased towards its controls, which are accessible and well laid out. I will admit, it now feels slightly bulky compared to the other cameras in this review. 

For years after I bought the camera, I pored through photography books and magazines. When I could afford it, I added lenses to the f1.8/50mm that came standard with the camera. For a short time, when we lived in Edmonton, I even set up a darkroom in my basement. I give this humble camera a lot of credit for instilling in me a lifelong interest in photography.  

Olympus OM-2

I ended up with a parallel camera kit to my own after my father-in-law Kurt’s passing. Where I was invested in Canon, he was an Olympus guy. His outfit was built around the Olympus OM-2, a highly regarded automatic camera manufactured between 1975 and 1988. I also inherited several lenses. 

Kurt and I shared our experiences; mine with Canon and his with Olympus. He used the OM-2 a lot. He was a stickler for getting composition and lighting just so. Naturally, I think of him every time I pick up the camera.

The first and most impressive feature about the OM-2 is its small size. It’s light but doesn’t feel cheap. The OM cameras were designed by Yoshihisa Maitani, something of a legend in photographic circles. The OM-2 is noticeably smaller than the AT-1. I can see there were some compromises to make the camera and lenses so compact. For example, the aperture has only full steps rather than half steps. While I like the way the camera feels in my hands, I do find the controls slightly cramped.

From my experience, the OM-2 is close to perfect. It has a bright viewfinder and some novel features. It can be operated in Aperture Priority mode or manual mode. Did I mention I like shooting in manual mode? (I admit it’s great to have the option of setting the aperture and letting the camera do the hard work.) 

My only quibble with the OM-2 layout is that the shutter speed dial is next to the lens barrel, rather than on top of the body. I find that illogical. Or maybe it’s just different than the setup on the AT-1 (or most other SLRs). 

The OM-2 is very accurate when metering a shot. I mainly shoot B&W film with it, and I am always impressed by how well the lenses render urban scenes and street shots.

The Olympus name has mostly disappeared—it was absorbed into the “OM System” brand five years ago. Let’s call it a casualty of the cellphone camera trend. Even so, the OM-2 has earned a special place in my collection. I hope it keeps working as long as I do. 

Minolta X-700

The Minolta X-700 is another small miracle. This particular one belongs to Deb. She got it from her parents as a Christmas gift. She used it for a few years, then it was relegated to a closet. Dan dusted it off for a school photography course when we lived in England. I remember buying him a 28mm lens to go with the original 50mm lens. 

The X-700 was the pinnacle of Minolta’s manual focus SLR line, and it was very popular. It was manufactured between 1981 and 1999, which is a long production run. The features of the X-700 are impressive. In addition to manual mode, it has Aperture Priority mode and a Program mode that integrates with Minolta MD lenses. It’s got a compact shape and it’s very light. The LEDs in the viewfinder are genius (with one downside). 

In my research for this piece, I learned that Minolta used plastic for some components of the camera. That goes some way to explaining its weight, and also why the camera feels less substantial than the other two in this piece. It’s also noisy when the shutter is activated. It’s worth remembering that by the mid-1980s, the SLR market was crowded, if not saturated, and autofocus cameras were starting to hit the market. No doubt that would have detracted Minolta’s attention away from their manual focus line. 

To this day, the X-700 remains a great camera. I like the feel of it in my hand, and that isn’t a coincidence. Size-wise, it fits in between the Canon and the Olympus. 

My main beef comes when using the X-700 in manual mode, where the user gets shutter speed information in the viewfinder. Why is that a problem? Well, the same LEDs I mentioned force the user to look away from the subject to see and adjust the shutter speed. It’s fine for landscapes or other static subjects, and fortunately, one can always switch into Aperture Priority mode and fire away. 

By the numbers

For what it’s worth, I did a few measurements… here are the bare facts:

Canon AT-1Olympus OM-2Minolta X-700
Weight, grams
(w/28mm lens)
780715690
Size, cm
(W x D x H)
14.5 x 10.0 x 9.013.7 x 8.3 x 8.314.0 x 9.5 x 9.0

Wrapping up

So, the obvious question… which of these cameras/systems do I like the best? That’s a tough question. If I had to choose one, it would be the OM-2. I’m a fan of small and light cameras, and this one definitely delivers. That said, I like each of the cameras for different reasons. You can tell I have emotional, physical and intellectual attachments to these marvelous machines. That’s why I make it a point to include all of them in my rotation. For me, there’s no better feeling than loading a manual SLR with a favourite film (or a new one) and heading out for a photo walk. As long as they keep working—and they are so well made, there’s no reason to expect them not to do so for a while yet—I’ll happily reach for one.

Until next time, be well and BE FAST!

Moose Jaw Delivers!

Are there certain places you’ve heard about your whole life? Places you’ve wondered what it might be like to visit? Over the weekend, we made a visit to one such mysterious and notable place: Moose Jaw, Saskatchewan. This is a place that everyone seems to have heard about. After all, it’s a name you remember.

For Deborah and me, there have been tenuous connections to Moose Jaw over the years: family, friends, work colleagues who hail from there. More recently, and more directly, our son Daniel has been stationed in Moose Jaw as an RCAF pilot trainee.

As for initial impressions, Moose Jaw seems to have the whole range covered. You see, the city’s former motto was The Friendly City, but that has been changed to Canada’s Most Notorious City. Hmmm. This was clearly another reason to visit. So we did. And we are very glad we did!

First, that name

This city of 33,000—the fourth largest in Saskatchewan—is located at the confluence of the Moose Jaw River and Thunder Creek, about an hour west of Regina.

The name Moose Jaw is said to come from a phrase in the Cree language, which translates to “warm place by the river”. This phrase likely refers to the sheltered valley where the city is located. Alternatively, the name may have come from the resemblance of the river’s shape to a moose’s jawbone. Whatever the origin, the name is anything but ordinary.

Moose Jaw was a historically important location for the economic development of western Canada, as it was a key railroad hub for the Canadian Pacific Railway. With its wide downtown streets and early 20th-century architecture, it gives the impression of a city that enjoyed some influence.

What we liked

In short, almost everything!

We stayed in the stately Grant Hall Hotel, right on Main Street. In no time, we discovered lovely Crescent Park, a few steps from the hotel. We crossed the street to the bustling Himawari Sushi restaurant, where we enjoyed an excellent dinner. It was delicious, maybe more so because it was so unexpected.

After dinner, we walked a few blocks down Main Street in persistent rain. We noticed the many architectural gems—City Hall, the Capitol Theatre, the CPR train station. This is a city with a rich history. We retired to the hotel and crossed our fingers for a break in the weather, as we had a busy schedule for the next day.

We lucked out in the weather department, although Saturday morning brought a smoky sky due to nearby wildfires. Fortunately, it wasn’t bad enough to put a crimp in our plans. We met with Dan and got a tour of the 15 Wing Air Base. That meant a chance to take in some aviation action up close. We walked through the CT-156 Harvard II hangar and watched a few planes taking off and doing maneuvers. We also peeked in at the simulators and the training rooms. Very cool!

One of the highlights of our visit was an aerobatic display by Canada’s Snowbirds, the famous flight team of the Royal Canadian Air Force. Officially, they’re known as the 431 Air Demonstration Squadron, and Moose Jaw is their home base. We enjoyed 20 minutes of thrilling formation flying from the perfect viewing location that Dan had scouted out for us. It was breathtaking!

There was more—more great meals, more sightseeing, more history. We did touristy things, like the Tunnels of Moose Jaw Chicago Connection guided tour. (The city’s possible connection to the gangster Al Capone is where its “notorious” reputation comes from, by the way.) The tour was good fun.

We did artsy things, like the impressive Moose Jaw Museum and Art Gallery. Then, as the sun was setting, we found a couple of beautiful locations for photos, like these taken under the Thunderbird Viaduct (also known as the 4th Avenue Bridge).

Even a Photo Run!

I came prepared for a short photo run while I was in town. So, with the prospect of a warm day ahead, I got up early and jogged some of the downtown streets. What I found was more pleasant surprises.

I ran by the historic 1932 Natatorium in Crescent Park—today we would call it a pool. I found some murals in the downtown area. And I checked out the imposing Parrish & Heimbecker grain elevator, adjacent to the rail line just off High Street. All before breakfast!

Here are a few more photos, taken in and around downtown Moose Jaw. There was no shortage of photo opportunities!

Wrapping up

We couldn’t help but feel that we should have visited Moose Jaw years before. As we grudgingly headed west for home, it was with a feeling that we had found a real treasure on the prairies. We would welcome the chance for another visit, if we should be so lucky.

Before we left town, we had to visit Mac the Moose, the city’s mascot. Even here, we found a story. You see, in 2019, Mac lost his title of “world’s tallest moose” to Storelgen, a steel moose sculpture in Stor-Elvdal, Norway. Not to be outdone, the citizens of Moose Jaw rallied and constructed a new set of antlers for Mac, to ensure he could once again proudly guard the eastern entrance to the city. (To be fair, Mac’s initial pair was pretty wimpy. And to avoid an international incident, I will keep my comments about the relative merits of each sculpture to myself…) But I will say, congratulations to Mac and the whole city!

Until next time, be well and BE FAST!

Favourite Hikes: Cory Pass/Edith Pass

I’m back with another entry in my series of Favourite Hikes. This time, I’ll describe an incredible hike in Banff National Park that is somewhat of a hidden gem. The Cory Pass/Edith Pass circuit is both challenging and scenic. It offers a full experience, with varied terrain and some unusual geological formations. And maybe best of all, it manages to be both close to the Banff townsite AND not overrun by visitors.

I did this hike in July 2021. It was a long but extremely satisfying day in the mountains with my friends Peter and Tim.

Cory Pass/Edith Pass Overview

We have many hiking guides around our house, and the consensus among them is that the Cory Pass/Edith Pass circuit is well worth the considerable effort it requires. Most guides suggest doing the route as a circuit, to introduce some variety on the return leg. Out-and-back options are obviously available depending on weather, skill level, or one’s own preferences.

The other question to ask, if you’re considering this hike, is the direction to do the circuit. We followed the more popular clockwise direction, and this makes sense because it puts the steep ascent up front. It’s usually easier to climb than to descend steeply.

Here’s the Strava record of our hike:

A few things will be clear from this summary. The hike is essentially a circumnavigation of Mount Edith. It’s long and with considerable elevation gain. We did some extra hiking and climbing during the day, so our figures are inflated compared to the basic route. Most descriptions put the circuit at about 14 km and 1,000 m of gain. Timewise, our outing was in the range of most estimates, which are 5-7 hours for the circuit.

Be aware that the north side of Mt. Edith involves some slogging on scree slopes, and the route can be a little hard to find on the return leg where the trail heads back into the forest. It wasn’t an issue when we did the hike, but snow can make the trail impassible until mid-summer. If you plan accordingly, the hike is well worth the effort.

Outbound to Cory Pass

Shortly after departing from the Fireside Day Use area—a quick drive from Banff and a worthy picnic spot—the trail splits to form the Cory Pass/Edith Pass circuit. And the climbing starts immediately after turning left for Cory Pass. There are good views of the Banff townsite and Mount Rundle, but mostly this section is about gaining elevation, and quite relentlessly, for a few kilometres along the south ridge of Mount Edith.

The grade moderates onto a long, dry traverse of the base of the mountain. Mount Cory is on the left. Even though the trail is narrow and exposed in spots, it never creates any significant challenges. For some reason, possibly my aching quads, I have no pictures from this part of the hike. Fortunately, here are a couple of shots taken along the traverse, courtesy of the Hike the Canadian Rockies website.

Finally, after about 6 km of effort, the col at Cory Pass is reached. The elevation is 2,350 metres. Here, the views are spectacular.

Gargoyle Valley

Descending steeply from Cory Pass is a scree trail between Mount Edith and Mount Louis—a jagged, dogtooth peak which looms large on the horizon. This section of the hike was the highlight for me, because of the variations in scenery. Otherworldly geological formations, the “gargoyles”, give the valley its name.

We enjoyed a leisurely lunch and did some exploring in and around the large rock pinnacles. Marmots enjoy sunning themselves on the high flat tops of the formations.

Once past the gargoyles, there is a long slog across a scree slope on the north side of Mount Edith. Finding the trail is never in doubt but the footing can be tricky in spots—poles are a must here. Gaiters too! A large boulder field marks the end of the scree trail. Again, the trail is easily found through the boulders.

Inbound via Edith Pass

Once you’ve picked your way through the boulder field, and enjoyed one last view of Mount Louis—now behind you to the north—it’s important to pay attention to find the return trail. We made one brief false start. The path becomes obvious if you look and hike upwards. There is a sign where bare slopes give way to the treeline.

The last 3 or 4 km of the trail are on a gradual decline through a dense forest. The mosquitoes and the noise of the highway were what I remember most in this section. To be honest, the exit trail is rather anticlimactic after the impressive sights we experienced earlier in the day. As is often the case in the Rockies, the ecosystem on the east side of the mountain is very different from the west side.

Eventually, the Cory/Edith fork is reached, leaving only an easy stroll back to the parking lot.

Summing Up

It was smiles all around (sort of) when we got back to Fireside for a well-deserved snack and beverage. Tim, Peter and I agree that the Cory Pass/Edith Pass hike checks many boxes, having everything we look for in a memorable hike. There’s plenty of challenge, but even more rewards. Highly recommended!

Until next time, happy trails. BE FAST!

Favourite Hikes: Lake O’Hara Alpine Circuit

One of our current home projects is a decluttering exercise. And one of the major targets for cleanup is our collection of photographs. Like many families, we have a box—make that several boxes—full of snapshots. The work of identifying and digitizing keepers is challenging. Still, there is always the element of surprise, as we rediscover treasures from the past.

Archiving “vintage” photographs gave me an idea for a new series—let’s call it Favourite Hikes. Deborah and I have enjoyed the mountain parks for 40 years. We are not the most avid hikers, but we have many fond memories of time spent in the mountains. This series will be a chance to revisit some of our personal highlights.

The Alpine Circuit

Near the top of our list of favourite Rocky Mountain hikes is the Lake O’Hara Alpine Circuit. And we’re not alone. This hike is widely regarded as one of the classic alpine circuits in the Canadian Rockies. By extension, it surely ranks among the best mountain hikes in the world.

Starting at the historic Lake O’Hara Lodge, the Alpine Circuit is a picturesque 11-kilometre loop, which touches several of the highlights of this exclusive region of Yoho National Park. Deb and I have done the hike twice, roughly 25 years apart (last in August 2014). I think we agree that it was a bit more challenging the second time!

Wiwaxy Gap and Huber Ledges

Done in the usual clockwise direction, the Alpine Circuit hike makes the most of the elevation gained from a strenuous 500-metre climb from the lake up to Wiwaxy Gap. Because this climb consumes the first hour of the hike, it makes the rest of the outing that much more enjoyable. Make no mistake though, there are plenty of elevation gains and losses to come.

The climbing begins soon after leaving the shoreline. Hearts will be pounding by the time the col at the base of Wiwaxy Peak is reached. The word “Wiwaxy” means “windy” in the Stoney Nakoda language, and it is an accurate description. The winds can be strong in the gap. If you aren’t breathless when you arrive, the views of Victoria and Huber Glaciers to the north should do the trick!

Although it means a slow loss of elevation, the next segment is a 2-kilometre traverse of the Huber Ledges to Lake Oesa. Finding the trail is easy, with blue and yellow patches marking the way. As we found on a late-season hike on the ledges in 2013, wet or snowy conditions can make the footing tricky.

There are glimpses of the lake as you progress along the ledges, and the feeling of anticipation is palpable.

Lake Oesa and Yukness Ledges

If there is a better spot for a picnic lunch anywhere in the Rockies than Lake Oesa, I’d like to know where that is. Oesa is another Stoney Nakoda word—it means “corner”. There’s some debate about whether the lake’s name is pronounced “oh-EE-sa” or “oh-ESS-a”. However you pronounce it, Oesa is a place you feel you could stay for hours. But, remembering that there is more to see, you finish your lunch, cinch up your boots, and get back on the trail.

Now it’s some easy scrambling on the scree slopes of Yukness Mountain. There are some short exposed sections as you work your way around the Yukness Ledges toward the next major stop at Opabin Lake. The route becomes less scrambly as you approach the lake. There are amazing views of Lake O’Hara along this section of the route, and Opabin is another perfect spot to take a breather.

Opabin Plateau and All Souls Prospect

Opabin Plateau is another area worth exploring—it’s a hanging valley, with plenty of small pools and of course, great views. There’s a short climb up to Opabin Prospect if you are feeling strong. The stone steps crossing the plateau were constructed decades ago by Lawrence Grassi, a legendary trail builder who left his mark all over the Lake O’Hara region.

If the Alpine Circuit is your goal, there’s more work to do—a climb from Opabin to All Souls Prospect. On the scree trail above Opabin Plateau, the route to All Souls may be the toughest part of the hike. Again, the blue and yellow markers are a big help. The viewpoint itself is a scraggly spot on the flank of Mount Schaffer. The spectacular views over Schaffer Lake and the Odaray Plateau make the effort of getting there worthwhile.

From All Souls Prospect, just when your quads least want to know about it, there’s some downclimbing needed, as you pick your way through boulder fields and a larch forest. There’s a gentle stroll past the Elizabeth Parker Hut and the Le Relais campsite before reaching the finish at Lake O’Hara.

Summing Up

It’s worth mentioning that any of the trails that connect to form the Alpine Circuit can be done on their own. There are also many offshoots and logical connections between trails. In fact, the Lake O’Hara region has so many great hikes that I’m already thinking of another piece.

Much has been written about Lake O’Hara. It’s one of those places that’s hard to describe unless you’ve been there. Pictures don’t do it justice. And in this area that’s defined by superlatives, there’s one hike that seems to capture the magic of Lake O’Hara best—the Alpine Circuit. Deb and I feel fortunate to have completed the Circuit, twice.

Until next time, happy trails. Be well, and BE FAST!

More BUMP and Run

We had a brief return to winter weather last week, which was a good excuse for me to dig through more Beltline mural pictures. This piece is not a lesson in how to hit a “bump and run”… a crafty shot that will be familiar to golfers… it’s a mash-up of pictures from several recent photo runs.

Like the first post in this series, I scouted out Beltline Urban Mural Project (BUMP) murals and did background research on the artists. Routes for all my urban photo runs are “organic”… dictated by red lights, convenient turns, and whatever street scenes catch my eye.

This post highlights murals in the large area from 17th Avenue SW to the downtown core. There are so many pieces in this area, with more coming in 2025, that there will certainly be more posts in the future.

Some of my favourites:

  • Seeroro (Carolyn Wong, @seeroro_ ) is a Chinese-Canadian artist from Vancouver. “Euphoria” is a colourful, three-sided mural inspired by the Tortoise and Hare folktale and the year of the water rabbit in the lunar calendar. Wong’s mural is tucked in between the buildings at 625 11 Avenue SW. Well worth the search!
  • birdO (Jerry Rugg, @jerryrugg ) is a multidisciplinary artist based in Toronto. He is well-known for large-scale murals on walls and buildings. His spectacular untitled piece at 441 5th Avenue SW is of a peregrine falcon, with the city skyline reflected in the bird’s eye. I’ve photographed this piece often.
  • Fluke ( @fluke.art ) is based in Montreal. His work as a street artist has roots in graffiti going back to the mid-1990s. Working with photographers, Fluke merges street art and contemporary imagery to create his pieces. His untitled mural on the west face of 1039 17th Avenue SW was glowing in the setting sun when I shot my photo.
  • Hanna Reimer ( @hannaclare ) is a Treaty 1 artist from Winnipeg, whose works emphasize texture and pattern. Hanna’s interest in fabric was the inspiration for her mural at 739 11 Avenue SW. She chose colours and patterns to make the wall appear to be flowing like sheer fabric. I found the juxtaposition with the angular Cybertruck jarring, but too good to pass up.

And a few more:

While I was thinking about murals, I paged through my files and came up with more pictures and stories. These fall a bit outside the topic of this post as they weren’t taken “on the run”, but that’s okay.

In 2019, I was walking around the Beltline with a newly repaired Voigtlander Vitessa T. I had picked the camera up on eBay with low expectations. It was 70 years old and non-operational. The camera is unique: it’s a rangefinder, and it has a plunger instead of the usual film advance lever. (Perhaps not surprisingly, this is a weak element of the design. It’s probably why this feature didn’t find its way into other cameras!) Fortunately, I found a fellow in Calgary who patiently (and cheaply) sourced the required spring to get it going again.

My first shots with the Voigtlander were of the multicultural artist Fathima Mohiuddin ( @fatspatrol ), as she was finishing her mural at 708 11 Avenue SW. We chatted for a few minutes and I took photos of her in front of the mural. It’s in her signature graphic style, and it’s awesome!

I had no idea if I’d get anything out of the Vitessa, but I was very happy with the result. I never saw Fathima again, so I hope she will see this picture.

The following pictures were taken within a minute of each other. I had been walking around 17th Avenue SW with my Ricoh GR III, on the lookout for interesting people or street scenes. On that day, I remember being disappointed that I had not seen much that caught my eye.

I walked down 13th Street, past the alley behind Calgary Jewellery, and snapped a quick shot of a fellow walking by Alex Kwong‘s huge (and hugely impressive) 2021 piece. Unfortunately, I don’t have many details about the mural. It doesn’t appear to be part of the BUMP series. Alex has done other pieces around the city, including a couple for BUMP. Check out his website and Instagram ( @_alexkwong ).

After I snapped this picture I turned onto 17th Avenue, and I noticed a stylish guy approaching me. An obvious picture was coming together… I just had to wait for him to pass in front of the colourful mural at 1137 17th Avenue SW. The bright elements in the mural complement his confident personal style.

In my research, I learned that the mural is by Calgary artist Toner ( @bravotoner ). The piece is titled Companion and it was painted in 2020. I realized I wasn’t being totally fair to Toner by having the best part of his mural obscured, so I went back and photographed it on its own to reveal a beautiful parrot. Here’s the whole image. Nice work Toner!

“Companion” by Toner, 1137 17th Avenue SW, painted in 2020

An interesting fact is that Toner and Kwong have collaborated on pieces around the city. I’ll be back soon with more in my next post.

Until then, be well and BE FAST!

February News Roundup – UPDATED

This is a short post, with the latest news. I’ve been busy compiling and editing photographs for my new BUMP Photo Run series. If you aren’t familiar with BUMP, it’s the Beltline Urban Mural Project, a vibrant project that has been brightening up our city since 2017. Check out my first piece here. You can read about the background of the project while enjoying photographs of some amazing art. Look for more posts very soon!

Canmore Public Library Event, Feb 12

UPDATED!

It was a wonderful evening in Canmore. The venue in Elevation Place was beautiful, we had a great turnout for our talk and an engaged audience. What more could we ask for?

Thanks to my friend, Don Crowe, for taking on MC duties, to Carey Lees of the Canmore Public Library for her flawless organization, and to all who attended. Thanks too, to Kylie and Tim at Strides Canmore, for their generous support of this event!

Here’s a synopsis of the talk:

  • A brief personal introduction
  • A collage of my running adventures (see below)
  • Discussion of my stroke journey, including the useful phrase to remember stroke symptoms (readers of this blog will already be familiar with BE FAST)

Of course, I shared my three main messages, listed below:

  • The importance of an active lifestyle
  • Awareness of ALL the symptoms of stroke
  • Raising funds to support the great work being done every day on stroke prevention and care at the Foothills Stroke Unit
This is what 50 years of running memories look like on one page!

You can read all the details in Stroke of Luck: My Life in Amateur Athletics. And there’s some news on that front: Cafe Books in Canmore will be carrying the book. So, if you live in Canmore, please drop into this unique bookstore and grab your copy!


For anyone in the Canmore area this Wednesday (February 12), I’ll be speaking at an Author Event at the Canmore Public Library at 6:30 p.m. Join me if you can, for an informal (and informative) presentation of my story, as told in Stroke of Luck: My Life in Amateur Athletics. There will be a short presentation, a Q&A session, and some draw prizes. I’ll have copies of the book available for purchase, at a special event price. Proceeds from book sales support the great work being done every day in the Foothills Stroke Unit.

I’d like to thank the staff at the library for hosting us in your wonderful facility. Also, to my friends at Strides Canmore, thank you for spreading the word about this event, and for your ongoing support of my book project. I feel blessed to be part of the tremendous local running community… it’s second to none!

Finally, thanks to Dianne Deans, whom I had the pleasure of meeting at the CanStroke Congress in November. Dianne is an enthusiastic patient support volunteer for stroke victims at the Foothills Medical Centre. She kindly connected me with the Canmore library staff, which led to this event coming together. Thank you, Dianne!

Heart Month Sale Still On!

What better way to mark Heart Month than a healthy discount for online sales of Stroke of Luck?

Order your copy on Amazon, and save 20%. The sale will run through the end of February.

Until next time, be well and BE FAST!